I am referring of course to the final quarter, as it were, in the career of Sydney Swans star. 0000042530 00000 n
Through the Narragunnawali platform, schools and early learning services can develop a Reconciliation Action Plan (RAP), and teachers and educators can access professional learning and curriculum resources to support the implementation of reconciliation initiatives. Unit: The Final Quarter - Watching The Film - Years 5-12 Activities for this Unit Tuning in About the Film Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. 0000004654 00000 n
The Final Quarter was made by Shark Island Productions, an independent film production company. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, . HBO, Lily-Rose Depp Deny On-Set Turmoil on The Idol, Iron Fists and Kung Fu Kicks: Film Review, Queer Japan: Film Review | Outfest 2019, 'Stranger Things' Stage Play Set for London Debut, Viagra Trial Drama 'Men Up' Coming to BBC From Russell T. Davies, 'Industry' Writer, 'It's a Sin' Producer, How Judd Hirsch Made the Most of Short Fabelmans Screen Time, and Nabbed an Oscar Nom to Boot, Ana de Armas on the Polarizing Views on Blonde: It Was Not Made to Please People, All Quiet on the Western Front, Elvis, Empire of Light Cinematographers on Their Oscar-Nominated Work: The Camera Had to Be Dancing, Boulder International Film Festival: F. Murray Abraham Tapped for Performer of the Year Award (Exclusive), Babylon, Black Panther: Wakanda Forever and Everything Everywhere All at Once Costume Designers on Defining Their Characters Looks, Nicole Kassell, Nicole Perlman Tackling Medusa for Amazon Studios (Exclusive), The Best Bridesmaid Dresses for Every Budget, From Under-$100 Gowns to Hollywood-Inspired Classics, BTS Army: Heres When and Where Legos Dynamite-Inspired Set Arrives Online and In Stores, From Makeup Must-Haves to Skin Care Superstars, These Black-Owned Beauty Brands Are Best-Sellers, Rachel Zoe on Her Go-To Wedding Registry Gifts, Bridal Style Tips and More, Lord of the Rings: Amazon, Warner Bros. Ready for Tolkien Battle, How the Landscape of Native-Led Stories Has Changed Between Avatars: Were Flexing Our Sovereignty, The Definitive Voice of Entertainment News. %PDF-1.4
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, ]p&V0]~l[8mNg[YUyg)&t28~rd]3fW'd:e How do you think this film is relevant for Australia today? Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July 2008. And so it is also a film about the purpose and value of legacies. 'The Final Quarter': Film Review. 0000000016 00000 n
Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. The Final Quarter was made by Shark Island Productions, an independent film production company. If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. Narragunnawali (pronounced narra-gunna-wally) is a word from the language of the Ngunnawal people, Traditional Owners of the land on which Reconciliation Australias Canberra office is located, meaning alive, wellbeing, coming together and peace. Adam Goodes was a champion AFL footballer and Indigenous leader. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. The game did not do enough to stand with him, and call it out. consider the various ways mood and meaning are created in archival documentaries. Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. It is essential that teachers watch The Final Quarter documentary in full before showing it to students. 0000067587 00000 n
Let us know what you like or don't like about this activity: Sorry. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. Throughout 2019: worked through social media company 33 Creative to engage with an online audience, maximise positive engagement and manage racist or bullying interaction. Concrete Playground acknowledges the Traditional Owners of the lands where we live, work and play, and across the lands we travel through. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. 0000062288 00000 n
The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. You must be logged in to view this form. [18][19], The documentary uses only archival footage and newspaper headlines from the last few years of Goodes' career, with no new interviews or footage. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. H\Mj0>3ML(d F68*-g[v2wc S uUlqh\2opzqoMpgH*h8^vC.)>PzqC42DYQH_>atwmU#y{m}|,6L |,,BG Tracy enjoys supporting the educational, social, emotional, and mental health needs of young people and their families. There are many themes, concepts and events in the film that teachers need to be aware of and reflect upon so that they can provide sufficient safety and support for students. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. But he also created a narrative, if not a reason for being, far more important than any act of sporting prowess. identify different documentary making techniques. [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. All Rights Reserved. A supercharged current courses through it, Darling having created less a documentary than a kind of electric cine-essay, pulsing with energy and urgency. Specialist lessons will achieve the best results when THE FINAL QUARTER documentary is introduced as atopic across the curriculum. Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. Premiering at the Sydney Film Festival, what a picture The Final Quarter paints; one that as the archival footage emphasises all played out in the public eye under the sizeable gaze of both the country's football media and the popular code's supporters. Goodes took indefinite leave from the game in August of the 2015 season. Just whose existence is being threatened, and by whom, is a subject canvassed by a procession of pundits once Goodes starts getting booed by fans of every stripe. Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. As Darling astutely realised, the footage says it all. Request an update here. Director Ian Darlings film is crafted using only archival footage aired at the time, which has been expertly edited. 0000042939 00000 n
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The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . When film-makers and critics refer to mise en scene, they are often referring to these 4 main elements on the screen: Setting including props and decor. Documentarian Ian Darling, director of The Final Quarter. Screenwriters: Mark Monroe, Ian Darling offsider Kris Gale chat with Ian and Yvonne about the film which premiered at the Sydney Film Festival, and which uses . The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. They will develop skills in active, conscious and reflective listening and communication, along with gaining an understanding of the Five Dimensions of Reconciliation. 0000004542 00000 n
Considers how the media influences audience perspectives through the use of language and point of view. Every film uses different techniques to create meaning throughout the film. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. Students will learn what an archival documentary is and examine archival documentary filmmaking conventions, particularly in relation to the film 'The Final Quarter'. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. 0000001256 00000 n
[4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. Following the screening, the ABC's Fran Kelly talked with Darling, ex-footballer Michael O'Loughlin and AFL Inclusion and Social Policy Manager Tanya Hosch about the film, Adam Goodes . Critic Reviews for The Final Quarter. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". Sorry, we have distributed all our DVDs to schools andclubs! Students explore the way mood and message is created for the audience by the editor and director. 0000003887 00000 n
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Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period. Adam Goodes was a champion AFL footballer and Indigenous leader. [30] Garry Maddox, for the Sydney Morning Herald says "It is a powerful work that stirs deep emotions",[31] while Screenhub's Sarah Ward calls it 'crucial'. The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Screen Australia is not responsible for and does not endorse any Third Party Sites' use, effect or content or any associated organisation, product or service on the third party site. The statement also said that the football community "pledged to continue to fight all forms of racism and discrimination, on and off the field". We appreciate your feedback. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. 0000091357 00000 n
They specialise in creating documentaries that educate the public about important social issues. Director's Statement. [25] It was shown as part of the 2019 Perth International Film Festival and the Castlemaine Documentary Film Festival, both in July 2019,[26] and aired on Network Ten on 18 July 2019. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. For ease of use we have organised this information in Primary and Secondary sections. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. In this lesson students will learn about archival documentary filmmaking conventions and apply their analytical skills to scenes from The Final Quarter. 0 Qq
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They protect and promote human rights in Australia and internationally. Learning Through Film, Social Issues, Indigenous Education, Aboriginal and Torres Strait Islander Histories and Cultures (OI.9), The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10, Editing Conventions Seed Discussion Posters, Editing Vocabulary And Archival Documentary Conventions Factsheet, Students understand how technical and symbolic codes are used by the director of. Music: Paul Charlier 0000003860 00000 n
Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l%
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1. Explores the power and influence of the Australian media and its responsibilities, including the broader publics engagement with social media. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. 299 48
The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect many of the traditional powers of the motion picture medium (cinematography, for instance) having been surrendered for more curatorial kind of approach. This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. | Michael Safi", "Watching Goodes film was like a punch to the face", "Acclaimed Adam Goodes Doco 'The Final Quarter' Will Hit TV Screens Next Month", "Adam Goodes: The Final Quarter film set to air on Channel 10 in July", "The Final Quarter review exhilarating Adam Goodes documentary pulses with urgency", "The exhilarating Adam Goodes documentary The Final Quarter is a must-see", "goodes-documentary-a-film-for-all-including-those-who-booed-him-20190530-p51ssm.html", "syd-film-fest-review-the-final-quarter-records-shameful-treatment-of-adam-goodes-258190", "AFL apologises unreservedly for failures over racism faced by Adam Goodes", "Club statement: 'The Final Quarter' documentary", https://en.wikipedia.org/w/index.php?title=The_Final_Quarter&oldid=1102231855, Documentary films about Australian rules football, All Wikipedia articles written in Australian English, Short description is different from Wikidata, Rotten Tomatoes template using name parameter, Creative Commons Attribution-ShareAlike License 3.0, 2019 Best Reporting of an Issue in Sport (Winner), 2019 Best Documentary Feature, Asian Academy Creative Awards: Grand Final winner (World) and Regional Winner (Australia and New Zealand), 2019 Best Editing in a Documentary - Sally Fryer (Winner), 2019 Best Editing in a Documentary Feature - Sally Fryer (Winner) Australian Screen Editors Ellie Awards, 2019 Best Sound in a Documentary (Nominee) Australian Screen Sound Guild, This page was last edited on 4 August 2022, at 01:34. In developing the lessons it was critical that we had the input of a psychologist and expert groups to ensure these lessons promote emotional safety and cultural awareness. Investigates different forms of racism and challenges us to interrogate and confront attitudes and behaviours. Teachers are advised to use their discretion when deciding whether to show this film. Explores what it means to be Australian, and how we express our individual and collective identities. The president of the opposing team, Eddie McGuire a former host of the local version ofWho Wants to Be a Millionaire? 0000005252 00000 n
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Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. 0000103450 00000 n
By calling out racism, and by refusing to be put inside a box where the powers that be might have liked him to remain, Goodes unquestionably made life harder for himself. 0000007162 00000 n
Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. Fire Up! Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant This is what was seen. Theyre booing you because youre acting like a jerk, he bellows, going on to ridicule the league for promoting diversity-related initiatives and declaring that, as a white heterosexual male, he is waiting for my day to come. Andrew Bolt, Alan Jones and Sam Newman haunt Ian Darlings film like ranting apparitions. 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. Available free with ClickVIew subscription at the film website www.thefinalquarterfilm.com.au. 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